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home·artworks·Amor che move il Sole et l'altre Stelle
Amor che move il Sole et l'altre Stelle by Leonora Carrington

plate no. 3213

Amor che move il Sole et l'altre Stelle

Leonora Carrington, 1946

oilSurrealismsymbolic paintingfigureschariothorselandscapesurreallight
experienced study

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as practicing stylized figure drawing and composition.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, chariot, and horse.

  2. step 02

    Establish the background with a wash of muted earth tones.

  3. step 03

    Block in the main shapes of the chariot and figures with simplified colors.

  4. step 04

    Develop the light source within the chariot, building up layers of yellow and white.

  5. step 05

    Refine the details of the figures, paying attention to the drapery and proportions.

  6. step 06

    Add texture to the chariot and surrounding landscape using dry brush techniques.

  7. step 07

    Glaze thin layers of color to unify the composition and create depth.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of atmosphere.

color palette

primary · yellow ochre · burnt sienna · red · ultramarine blue

secondary · titanium white · raw umber · green

Achieve the muted tones by mixing complementary colors. Use white to create highlights and thin glazes.

techniques

  • ·glazing
  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·stylized figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear light source.
  • →Using colors that are too saturated.
  • →Ignoring the overall atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·linseed oil or acrylic medium
  • ·palette knife
  • ·rags

optional

  • ·retarder medium
  • ·varnish
  • ·easel

Use a medium to thin the paints for glazing. Consider using a toned canvas to start.

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related guides

oil painting for beginners →how to learn by studying the masters →
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