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home·artworks·Ami-Jean De La Rive
Ami-Jean De La Rive by Jean-Étienne Liotard

plate no. 7104

Ami-Jean De La Rive

Jean-Étienne Liotard, 1758

pastelRococoportraitportraitfigurewigclothingfurmale
some experience helpful

Recreating this portrait will help students develop skills in rendering skin tones, capturing subtle light and shadow, and creating the illusion of textures like fur and fabric. It also provides practice in portrait composition and capturing a likeness.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes and proportions of the figure.

  2. step 02

    Establish the background with a dark, even tone.

  3. step 03

    Block in the main areas of color for the skin, clothing, and wig, focusing on the overall values.

  4. step 04

    Develop the skin tones by layering and blending different shades of pink, yellow, and brown.

  5. step 05

    Add details to the clothing, paying attention to the folds and highlights.

  6. step 06

    Render the wig by creating individual strands of hair with varying values.

  7. step 07

    Capture the texture of the fur by using short, broken strokes and varying the color and value.

  8. step 08

    Refine the details and add final highlights and shadows to create depth and dimension.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · cadmium red light · ultramarine blue · burnt sienna

Skin tones are achieved by mixing white, yellow ochre, and small amounts of red and brown. The clothing is primarily a mix of raw umber and black, lightened with white. The wig is created with various shades of white, grey, and yellow ochre.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·dry brushing
  • ·portraiture

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to capture the subtle variations in value and color, leading to a flat or lifeless portrait.
  • →Neglecting the background, which can detract from the overall composition.
  • →Inaccurate proportions in the initial sketch, which can make the portrait look distorted.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·soft cloth

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grain canvas is recommended.

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