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home·artworks·Ambrosius and Hans, the Sons of the Artist
Ambrosius and Hans, the Sons of the Artist by Hans Holbein the Elder

plate no. 5896

Ambrosius and Hans, the Sons of the Artist

Hans Holbein the Elder, 1511

drawingNorthern Renaissanceportraitportraitfiguresmenfaceshairclothing
some experience helpful

Recreating this drawing will help students develop skills in portraiture, including accurate proportions, rendering of facial features, and creating subtle tonal variations with graphite or charcoal. It will also improve their understanding of line weight and shading techniques.

technical profile

palette complexity
1
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the placement and proportions of the two heads.

  2. step 02

    Refine the outlines of the faces, paying close attention to the angles and curves of the jawline, nose, and forehead.

  3. step 03

    Begin adding details to the eyes, nose, and mouth, using light, delicate lines.

  4. step 04

    Start building up the tonal values in the faces, using hatching and cross-hatching to create shadows and highlights.

  5. step 05

    Focus on rendering the hair, paying attention to the direction of the strands and the way they catch the light.

  6. step 06

    Add details to the clothing, using simple lines and shading to suggest the folds and textures of the fabric.

  7. step 07

    Refine the background with light hatching to create a sense of depth.

  8. step 08

    Add the writing and numbers in the background, using a fine-tipped pencil.

color palette

primary · graphite · white (paper)

secondary ·

Varying pressure and layering of graphite creates the different shades of gray.

techniques

  • ·hatching
  • ·cross-hatching
  • ·blending
  • ·line weight variation
  • ·portraiture

common pitfalls

  • →Incorrect proportions of facial features.
  • →Overworking the drawing and losing the delicate quality of the original.
  • →Failing to capture the subtle tonal variations in the faces.
  • →Not paying enough attention to the direction of the hair strands.

materials

surface · smooth drawing paper

required

  • ·Graphite pencils (HB, 2B, 4B)
  • ·Eraser
  • ·Kneaded eraser
  • ·Drawing paper (smooth surface)
  • ·Pencil sharpener
  • ·Ruler

optional

  • ·Blending stump
  • ·Tortillon
  • ·Fixative spray

Use a variety of graphite pencils to achieve different tonal values. Start with light pressure and gradually build up the darker areas.

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