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home·artworks·Amaterasu Ōmikami appearing from the cave
Amaterasu Ōmikami appearing from the cave by Tsukioka Yoshitoshi

plate no. 3365

Amaterasu Ōmikami appearing from the cave

Tsukioka Yoshitoshi, 1882

oilUkiyo-emythological paintingmythologyfigurescavedeitysmokeJapanese
some experience helpful

Recreating this painting will help students develop skills in figure drawing, color layering, and creating a sense of depth through value contrast. It also provides an opportunity to study traditional Japanese art techniques.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and cave opening, paying attention to proportions and composition.

  2. step 02

    Block in the large areas of color: black for the background, yellow/tan for the cave interior, and base colors for the figures' clothing.

  3. step 03

    Begin layering colors to create depth and form, starting with the darkest shadows and gradually adding highlights.

  4. step 04

    Add details to the figures' faces, hair, and clothing, using fine lines and subtle color variations.

  5. step 05

    Paint the smoke/cloud effect with soft, blended strokes of red and pink.

  6. step 06

    Define the edges of the cave and figures with darker outlines to create contrast.

  7. step 07

    Add any remaining details, such as the patterns on the clothing or the texture of the cave walls.

  8. step 08

    Consider adding the text elements for an added challenge.

color palette

primary · black · red · white · yellow

secondary · pink · blue-gray · tan

Mix shades of red with white to create pinks for the smoke. Use yellow and white to create the light tan color of the cave interior. Mix black with a touch of blue to create the dark cave walls.

techniques

  • ·color layering
  • ·blending
  • ·line work
  • ·value shading
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early
  • →Not establishing a strong value contrast
  • →Using colors that are too saturated
  • →Ignoring the proportions of the figures

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints (black, red, white, yellow, blue)
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·water
  • ·paper towels

optional

  • ·palette knife
  • ·medium (for blending)
  • ·varnish

Using a toned canvas (e.g., light gray or tan) can help establish the mid-tones and make the colors appear richer.

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