apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Am Nilufer
Am Nilufer by Hermann David Salomon Corrodi

plate no. 0758

Am Nilufer

Hermann David Salomon Corrodi, 1905

canvas, oilAcademicismlandscapelandscapepyramidswaterfiguresskybuildings
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. It also provides practice in depicting figures in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the pyramids, buildings, and figures.

  2. step 02

    Block in the sky with a gradient of warm yellows and oranges, blending smoothly.

  3. step 03

    Establish the base color of the water, reflecting the sky's colors.

  4. step 04

    Paint the pyramids with a muted pinkish-brown, paying attention to their perspective and atmospheric distance.

  5. step 05

    Add the buildings and palm trees, using darker tones for the shadows and lighter tones for the highlights.

  6. step 06

    Paint the figures with simple shapes and colors, focusing on their silhouettes and interactions with the environment.

  7. step 07

    Add reflections in the water, using slightly darker and blurred versions of the objects above.

  8. step 08

    Refine details and add highlights to create depth and realism.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · raw sienna · ultramarine blue · cadmium orange

Achieve the warm, muted tones by mixing yellow ochre, burnt umber, and white. Add small amounts of blue or orange to adjust the temperature of the colors.

techniques

  • ·glazing
  • ·atmospheric perspective
  • ·color blending
  • ·rendering reflections
  • ·scumbling

common pitfalls

  • →Overworking the details too early.
  • →Creating too much contrast in the water reflections.
  • →Making the pyramids too saturated in color.
  • →Ignoring the subtle color variations in the sky.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·palette
  • ·assorted brushes
  • ·palette knife
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the luminosity of the colors.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

Hermann David Salomon Corrodi

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea