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home·artworks·Allegory of Music
Allegory of Music by Rosalba Carriera

plate no. 8843

Allegory of Music

Rosalba Carriera, 1712

oilRococoallegorical paintingfigureflowerstambourineportraitallegorymusic
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and soft fabric. It also provides practice in depicting floral arrangements and creating a sense of depth through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, tambourine, and floral arrangement.

  2. step 02

    Establish the background with a thin wash of muted blues and grays.

  3. step 03

    Block in the main skin tones, paying attention to the subtle shifts in value.

  4. step 04

    Begin layering and blending the skin tones to create a smooth, luminous effect.

  5. step 05

    Paint the white fabric, using highlights and shadows to define the folds.

  6. step 06

    Add the details of the floral arrangement, focusing on color variations and textures.

  7. step 07

    Refine the tambourine and the figure's hands, paying attention to anatomical accuracy.

  8. step 08

    Add final details and glazes to enhance the overall depth and realism.

color palette

primary · titanium white · cadmium red light · yellow ochre · ultramarine blue

secondary · burnt umber · viridian · alizarin crimson · cadmium yellow

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use ultramarine and burnt umber to create muted grays for shadows. Mix greens by combining yellow and blue, adjusting the ratio for different shades.

techniques

  • ·blending
  • ·glazing
  • ·scumbling
  • ·layering
  • ·portraiture

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring the subtle value shifts in the skin tones.
  • →Failing to establish a strong light source.
  • →Getting lost in the details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g. Liquin)
  • ·varnish

Use high-quality oil paints for best results. A medium can be added to the paint to improve flow and blending.

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