apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·All the lights
All the lights by Paul Delvaux

plate no. 1279

All the lights

Paul Delvaux, 1962

oil, canvasSurrealismcityscapefiguresstreetbuildingtreesnightlamps
experienced study

Recreating this painting will help students develop skills in rendering complex textures like lace and stone, as well as understanding atmospheric perspective and creating a sense of depth through value and color.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the street and the placement of the figures and building.

  2. step 02

    Block in the large areas of color: the dark sky, the building's red brick, and the overall tones of the street.

  3. step 03

    Begin refining the shapes of the trees and branches, paying attention to their intricate structure against the night sky.

  4. step 04

    Add the details of the building, including the windows, trim, and architectural elements.

  5. step 05

    Paint the figures, focusing on the folds and details of their dresses and the subtle variations in skin tone.

  6. step 06

    Render the cobblestone street, using variations in color and value to create texture and depth.

  7. step 07

    Add the lamps and their light, paying attention to the way the light illuminates the surrounding areas.

  8. step 08

    Refine the details and add any final touches to complete the painting.

color palette

primary · ultramarine blue · burnt umber · titanium white · cadmium red

secondary · yellow ochre · ivory black

Mix ultramarine blue and burnt umber to create the dark tones of the night sky and shadows. Use titanium white to lighten colors and create highlights. Mix cadmium red with burnt umber and a touch of black for the building's brick.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering textures
  • ·chiaroscuro

common pitfalls

  • →Failing to establish a strong sense of perspective.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Inaccurately rendering the light and shadow, resulting in a flat or unrealistic appearance.
  • →Not capturing the subtle color variations in the night sky and shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve their flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The flash

The flash

Rene Magritte

Distress Call

Distress Call

Kit Williams

Indian Summer

Indian Summer

Abdul Mati Klarwein

Cabaret (Visul lui Omero)

Cabaret (Visul lui Omero)

Jules Perahim

Remember

Remember

Sabin Balasa

Paris dream

Paris dream

Max Ernst

The Crisis

The Crisis

Sabin Balasa

The great table

The great table

Rene Magritte