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home·artworks·Alisa Georgyevna Koonen
Alisa Georgyevna Koonen by Georgy Yakulov

plate no. 7038

Alisa Georgyevna Koonen

Georgy Yakulov, 1920

oil, canvasCubismportraitfiguresportraitshatsclothingindoorstable
some experience helpful

Recreating this painting will help students develop skills in simplifying complex forms into geometric shapes and using expressive brushstrokes to create texture and depth. It also provides practice in capturing light and shadow to define the figures.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figures and their hats, focusing on geometric forms.

  2. step 02

    Block in the main areas of color using thin washes, establishing the overall value structure.

  3. step 03

    Begin building up layers of paint, focusing on the light and shadow patterns on the figures' faces and clothing.

  4. step 04

    Use short, directional brushstrokes to create texture and define the forms.

  5. step 05

    Mix and apply the darker tones to create depth and contrast, especially in the background and shadows.

  6. step 06

    Add highlights to the figures' faces and clothing to create a sense of volume.

  7. step 07

    Refine the details of the hats and clothing, paying attention to the folds and creases.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious and expressive result.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · emerald green · cadmium red light · ultramarine blue

Achieve the skin tones by mixing yellow ochre, burnt umber, and titanium white. Use small amounts of cadmium red light to add warmth. Mix greens by combining yellow ochre and ultramarine blue. Darken colors with burnt umber.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·geometric abstraction
  • ·chiaroscuro

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Failing to simplify the forms into basic geometric shapes.
  • →Not paying enough attention to the light and shadow patterns.
  • →Getting the proportions of the figures wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·varnish

Use a medium-grit canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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