apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Alexander the Great and Campaspe in the Studio of Apelles
Alexander the Great and Campaspe in the Studio of Apelles by Giovanni Battista Tiepolo

plate no. 5715

Alexander the Great and Campaspe in the Studio of Apelles

Giovanni Battista Tiepolo, 1726

oil, canvasRococohistory paintingfiguresartiststudioclassicaldraperystatue
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in capturing the subtle nuances of light and shadow in a complex scene.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and objects.

  2. step 02

    Block in the main areas of color, focusing on the large shapes and value relationships.

  3. step 03

    Refine the figures, paying attention to anatomy and drapery folds.

  4. step 04

    Develop the background elements, using atmospheric perspective to create depth.

  5. step 05

    Add details to the faces, clothing, and other objects.

  6. step 06

    Work on the light and shadow, creating a sense of volume and form.

  7. step 07

    Refine the edges and blend the colors to create a smooth, painterly effect.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Achieve skin tones by mixing white, red, and a touch of yellow ochre or burnt umber. Use ultramarine blue and burnt umber to create dark shadows and neutral tones.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·atmospheric perspective
  • ·chiaroscuro
  • ·glazing

common pitfalls

  • →Incorrect proportions of figures.
  • →Overworking the details too early.
  • →Failing to create a sense of depth.
  • →Inconsistent light source.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints (burnt umber, raw sienna, titanium white, cadmium red, ultramarine blue, yellow ochre, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a medium to improve the flow and drying time of the paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West