apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Albrecht Brandenburg
Albrecht Brandenburg by Lucas Cranach the Elder

plate no. 3037

Albrecht Brandenburg

Lucas Cranach the Elder, 1543

oilNorthern Renaissanceportraitportraitfiguremanclothingheadwearface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value gradations to create form. It also provides practice in rendering fabric textures and capturing a likeness.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic proportions and placement of the figure.

  2. step 02

    Block in the main shapes of the face, hat, and clothing with thin washes of color.

  3. step 03

    Gradually build up the values in the face, focusing on the light and shadow areas to create form.

  4. step 04

    Pay close attention to the subtle color variations in the skin tones.

  5. step 05

    Define the details of the eyes, nose, and mouth.

  6. step 06

    Render the fabric of the hat and clothing, paying attention to the folds and textures.

  7. step 07

    Add highlights and details to the face and clothing to create a sense of realism.

  8. step 08

    Refine the background, ensuring it complements the figure without distracting from it.

color palette

primary · red · ivory black · yellow ochre · raw umber

secondary · titanium white · burnt umber

Skin tones are achieved by mixing white, yellow ochre, and a touch of red and raw umber. Vary the proportions to create highlights and shadows. The red hat requires mixing a deep red with a touch of black for shadows and white for highlights.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·value studies
  • ·color mixing

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Using too much paint and losing the subtle value gradations.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Oil paints (red, ivory black, yellow ochre, raw umber, titanium white, burnt umber)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for the painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley