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home·artworks·Alberto Magno
Alberto Magno by Justus van Gent

plate no. 2526

Alberto Magno

Justus van Gent, 1476

oil, panelNorthern Renaissanceportraitportraitfigurebookrobeinteriorcolumn
some experience helpful

Recreating this painting will help students develop skills in portraiture, including rendering skin tones and capturing likeness, as well as understanding the use of light and shadow to create form. It also offers practice in depicting drapery and textures.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic proportions and composition.

  2. step 02

    Block in the main areas of color, starting with the background and larger shapes.

  3. step 03

    Develop the skin tones using thin layers of paint, paying attention to subtle variations in color and value.

  4. step 04

    Refine the details of the face, including the eyes, nose, and mouth.

  5. step 05

    Work on the drapery, creating folds and shadows to give it depth and dimension.

  6. step 06

    Add details to the book and other elements in the foreground.

  7. step 07

    Glaze the painting to unify the colors and add depth.

  8. step 08

    Add final highlights and details.

color palette

primary · yellow ochre · ivory black · titanium white · raw umber

secondary · viridian · cadmium red light

Mix skin tones using yellow ochre, ivory black, and titanium white. Use raw umber to create shadows. Achieve the green background by mixing viridian with yellow ochre and white.

techniques

  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·underpainting
  • ·chiaroscuro

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure.
  • →Getting lost in details before establishing the overall form.
  • →Not paying attention to subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints: yellow ochre, ivory black, titanium white, raw umber, viridian, cadmium red light
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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