apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Agony in the Garden
Agony in the Garden by Bernard Van Orley

plate no. 4702

Agony in the Garden

Bernard Van Orley

oilNorthern Renaissancereligious paintingfigureslandscapeangelrocksskyreligious scene
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and atmospheric perspective. It also provides practice in creating a complex composition with multiple focal points.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and landscape elements.

  2. step 02

    Establish the basic color blocks for the sky, landscape, and figures using thin washes.

  3. step 03

    Develop the values and forms of the rocks and figures, paying attention to light and shadow.

  4. step 04

    Add details to the figures' faces and clothing, using smaller brushes.

  5. step 05

    Refine the landscape details, including the distant city and the approaching soldiers.

  6. step 06

    Work on the angel figure, focusing on the drapery and the chalice.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the atmosphere.

color palette

primary · burnt umber · ultramarine blue · titanium white · cadmium red

secondary · yellow ochre · raw sienna · ivory black

Achieve the muted tones by mixing earth tones with white and small amounts of blue or red. Use glazes of transparent colors to create depth and luminosity.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·atmospheric perspective
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of figures
  • →Overworking details too early
  • →Failing to establish a clear value structure
  • →Inconsistent lighting

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley