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home·artworks·Afternoon View of Coalbrookdale, Shropshire
Afternoon View of Coalbrookdale, Shropshire by William Williams

plate no. 8418

Afternoon View of Coalbrookdale, Shropshire

William Williams, 1777

oilRococolandscapelandscapefigurestreessmokehillsriver
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through layering of colors and values. It also provides practice in rendering figures within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, major landforms, and figures.

  2. step 02

    Establish the sky with a light, blended wash of pale yellow and white, suggesting cloud formations.

  3. step 03

    Block in the distant hills with muted greens and blues, using lighter values to create atmospheric perspective.

  4. step 04

    Paint the middle ground with varying shades of green and brown, adding details to the trees and foliage.

  5. step 05

    Add the smoke plumes using grays and blacks, blending them softly into the sky.

  6. step 06

    Paint the figures in the foreground, paying attention to their proportions and clothing details.

  7. step 07

    Add the river and reflections, using darker values to create depth.

  8. step 08

    Refine details and add highlights to create a sense of realism.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · sap green · ivory black

Achieve the muted greens by mixing yellow ochre and ultramarine blue with varying amounts of white. Use burnt umber and ivory black to create the grays for the smoke. Mix cadmium red and burnt umber for the figures' clothing.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·blending
  • ·scumbling
  • ·rendering figures

common pitfalls

  • →overly bright colors
  • →lack of depth
  • →poor figure proportions
  • →muddy color mixing

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·palette
  • ·linseed oil
  • ·mineral spirits

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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