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home·artworks·Afternoon pastimes
Afternoon pastimes by Theodore Gerard

plate no. 0040

Afternoon pastimes

Theodore Gerard, 1865

oil, panelAcademicismgenre paintingchildreninteriordogdomestic scenefiguresfurniture
experienced study

Recreating this painting will help students develop skills in rendering realistic figures and capturing the nuances of light and shadow in an interior setting. It also provides practice in creating a sense of depth and atmosphere using color and value.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and key objects.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main colors of the background, including the walls, floor, and furniture.

  4. step 04

    Begin to develop the figures, paying attention to their proportions and anatomical accuracy.

  5. step 05

    Layer in the local colors of the clothing and skin tones, gradually building up the details.

  6. step 06

    Refine the lighting and shadows, creating a sense of depth and volume.

  7. step 07

    Add the final details, such as the facial features, textures, and highlights.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall atmosphere.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve the warm, muted tones by mixing earth tones with small amounts of red, blue, and yellow. Use white to lighten values and create highlights.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too bright or saturated.
  • →Failing to create a strong sense of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for this type of painting.

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oil painting for beginners →how to learn by studying the masters →
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