
plate no. 9492
From the record
from the sources
After the Engagement is an oil on canvas painting measuring 45 x 31 1/8 inches and signed at lower left. daheshmuseum.org
“After the Engagement Oil on canvas, 45 x 31 1/8 in. Signed lower left: Elizabeth Gardner”
The painting was commissioned by the American businessman Obed J. Wilson and is based on a poem by Robert Burns. daheshmuseum.org
“Commissioned by American businessman Obed J. Wilson, the paintings are based on a poem by the Scottish writer Robert Burns.”
After the Engagement is the pendant to Before the Engagement and shows the couple years later in a humble interior marked by their tenderness and affection. daheshmuseum.org
“In its pendant, After the Engagement , years have passed, and the humble, dim interior is nevertheless radiant with their mature tenderness and affection.”
Gardner first mentioned the Engagement commission in a December 1880 letter to her brother John. daheshmuseum.org
“Gardner first mentioned The Engagement commission in December 1880 in a letter to her brother, John.”
The paintings stayed together in the Wilson collection, which was donated to a Cincinnati senior living facility in 1908, before the Dahesh Museum of Art purchased them. daheshmuseum.org
“The paintings remained together as part of the Wilson collection donated to the Twin Towers Senior Living Facility in Cincinnati in 1908 before being purchased by the Dahesh Museum of Art.”
approach — 8 steps
Create a preliminary sketch to establish the composition and proportions of the figures and objects.
Block in the main shapes and colors, focusing on the overall value structure.
Develop the background and surrounding details, paying attention to the light source and shadows.
Begin refining the figures, starting with the faces and hands.
Carefully render the clothing and fabric textures, using subtle variations in color and value.
Add details to the spinning wheel and other objects, paying attention to their form and material.
Adjust the overall color harmony and value contrast to create a cohesive and balanced painting.
Add final highlights and details to enhance the realism and visual impact.
color palette
primary · ivory black · yellow ochre · burnt umber · titanium white
secondary · ultramarine blue · alizarin crimson · raw sienna
Achieve skin tones by mixing titanium white, yellow ochre, burnt umber, and a touch of alizarin crimson. Use ivory black and ultramarine blue for the darker areas of the clothing and background. Mix raw sienna and burnt umber for the wooden elements.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for capturing the details.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein