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home·artworks·After the Engagement
After the Engagement by Elizabeth Jane Gardner

plate no. 9492

After the Engagement

Elizabeth Jane Gardner

canvas, oilAcademicismgenre paintingfiguresinteriorclothingchairspinning wheelclock

From the record

Dimensions
114.3 cm high × 79 cm wide
Institution
Dahesh Museum of Art
Location
Dahesh Museum of Art
Materials
oil paint, canvas

Wikidata item Q108028223

from the sources

  • After the Engagement is an oil on canvas painting measuring 45 x 31 1/8 inches and signed at lower left. daheshmuseum.org

    “After the Engagement Oil on canvas, 45 x 31 1/8 in. Signed lower left: Elizabeth Gardner”

  • The painting was commissioned by the American businessman Obed J. Wilson and is based on a poem by Robert Burns. daheshmuseum.org

    “Commissioned by American businessman Obed J. Wilson, the paintings are based on a poem by the Scottish writer Robert Burns.”

  • After the Engagement is the pendant to Before the Engagement and shows the couple years later in a humble interior marked by their tenderness and affection. daheshmuseum.org

    “In its pendant, After the Engagement , years have passed, and the humble, dim interior is nevertheless radiant with their mature tenderness and affection.”

  • Gardner first mentioned the Engagement commission in a December 1880 letter to her brother John. daheshmuseum.org

    “Gardner first mentioned The Engagement commission in December 1880 in a letter to her brother, John.”

  • The paintings stayed together in the Wilson collection, which was donated to a Cincinnati senior living facility in 1908, before the Dahesh Museum of Art purchased them. daheshmuseum.org

    “The paintings remained together as part of the Wilson collection donated to the Twin Towers Senior Living Facility in Cincinnati in 1908 before being purchased by the Dahesh Museum of Art.”

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Develop the background and surrounding details, paying attention to the light source and shadows.

  4. step 04

    Begin refining the figures, starting with the faces and hands.

  5. step 05

    Carefully render the clothing and fabric textures, using subtle variations in color and value.

  6. step 06

    Add details to the spinning wheel and other objects, paying attention to their form and material.

  7. step 07

    Adjust the overall color harmony and value contrast to create a cohesive and balanced painting.

  8. step 08

    Add final highlights and details to enhance the realism and visual impact.

color palette

primary · ivory black · yellow ochre · burnt umber · titanium white

secondary · ultramarine blue · alizarin crimson · raw sienna

Achieve skin tones by mixing titanium white, yellow ochre, burnt umber, and a touch of alizarin crimson. Use ivory black and ultramarine blue for the darker areas of the clothing and background. Mix raw sienna and burnt umber for the wooden elements.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overly harsh or flat lighting.
  • →Inaccurate rendering of fabric textures.
  • →Neglecting the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for capturing the details.

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related guides

oil painting for beginners →how to learn by studying the masters →
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