apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·After the Bath
After the Bath by Torii Kotondo

plate no. 1947

After the Bath

Torii Kotondo, 1933

oilShin-hangaportraitportraitwomankimonoumbrellageometricbathhouse
some experience helpful

Recreating this painting will help students develop skills in color blocking, precise line work, and understanding of traditional Japanese art aesthetics. It also offers practice in rendering fabric patterns and subtle skin tones.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the figure and umbrella.

  2. step 02

    Outline the main areas with a fine liner, defining the figure, kimono, and umbrella details.

  3. step 03

    Block in the large areas of color, starting with the background and kimono.

  4. step 04

    Add the striped pattern to the kimono, paying attention to the direction and spacing of the lines.

  5. step 05

    Mix and apply the skin tones, using subtle shading to create depth.

  6. step 06

    Paint the details of the hair, including the highlights and shadows.

  7. step 07

    Add the final details, such as the facial features, the pattern on the towel, and the text at the bottom.

  8. step 08

    Refine the edges and add any necessary corrections.

color palette

primary · red · black · white · blue

secondary · gray · gold · green

Skin tones can be achieved by mixing white, red, and a touch of yellow. The gray in the kimono is a mix of black and white, with slight variations to create depth.

techniques

  • ·color blocking
  • ·line work
  • ·flat wash
  • ·subtle shading
  • ·pattern rendering

common pitfalls

  • →Incorrect proportions of the figure.
  • →Uneven spacing of the kimono stripes.
  • →Muddy skin tones.
  • →Overly harsh shading.
  • →Inaccurate rendering of the umbrella's geometric pattern.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper
  • ·watercolor paints
  • ·fine liner brush
  • ·round brushes (various sizes)
  • ·palette
  • ·water container
  • ·masking tape

optional

  • ·ruler
  • ·compass
  • ·color pencils
  • ·kneaded eraser

Using high-quality watercolor paper will help prevent buckling and allow for smoother blending. A fine liner brush is essential for creating the precise lines in the kimono and umbrella.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Xhosa woman

Xhosa woman

George Pemba

Spring Evening at Inokashira Park

Spring Evening at Inokashira Park

Hasui Kawase

Full Moon at Izu-ura, Ibaraki

Full Moon at Izu-ura, Ibaraki

Hasui Kawase

Frosty Morning in Nagaoka

Frosty Morning in Nagaoka

Hasui Kawase

Applying Powder

Applying Powder

Torii Kotondo

Drizzling Rain in Ukimido

Drizzling Rain in Ukimido

Asano Takeji

Woman in Summer Garment

Woman in Summer Garment

Goyo Hashiguchi

Twilight in the Village, Nara

Twilight in the Village, Nara

Asano Takeji