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home·artworks·After Confiscation
After Confiscation by Ferdinand Georg Waldmüller

plate no. 4597

After Confiscation

Ferdinand Georg Waldmüller, 1859

oilRomanticismgenre paintingfigureschildrenbuildingcourtyardfamilyarchitecture
experienced study

Recreating this painting will help students develop skills in figure drawing, composition, and creating a sense of depth using atmospheric perspective. It also provides practice in rendering realistic skin tones and clothing textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the composition and placement of figures and architectural elements.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin refining the figures, paying attention to proportions and anatomy.

  4. step 04

    Develop the architectural details, focusing on perspective and light/shadow.

  5. step 05

    Add details to the clothing and hair, creating texture and form.

  6. step 06

    Refine the skin tones, using subtle variations in color and value.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the composition and details.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · ultramarine blue · yellow ochre · cadmium red light

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white, with small amounts of cadmium red for warmth. Use ultramarine blue and burnt umber to create muted grays for shadows and architectural details.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·glazing
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Incorrect proportions of figures
  • →Overly saturated colors
  • →Lack of depth in the composition
  • →Ignoring the subtle variations in skin tones

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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