apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Adoring the baby
Adoring the baby by Meyer von Bremen

plate no. 1640

Adoring the baby

Meyer von Bremen, 1874

oil, panelAcademicismgenre paintingchildrenbabyfiguresinteriorfurnitureclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering realistic skin tones and soft lighting effects. It also provides practice in depicting fabric and creating a sense of depth through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or raw sienna.

  3. step 03

    Begin blocking in the main colors of the background, furniture, and clothing.

  4. step 04

    Start developing the skin tones, using a limited palette of reds, yellows, and whites.

  5. step 05

    Refine the details of the faces, paying close attention to the eyes, nose, and mouth.

  6. step 06

    Add highlights and shadows to create form and dimension in the clothing and bedding.

  7. step 07

    Paint the details of the background objects, such as the furniture and accessories.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the colors.

color palette

primary · raw umber · burnt sienna · titanium white · yellow ochre

secondary · alizarin crimson · Prussian blue · sap green

Achieve skin tones by mixing white with small amounts of red, yellow, and brown. Use thin glazes of color to create subtle variations in tone. Darken colors with burnt umber and lighten with titanium white.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure.
  • →Getting the proportions of the figures wrong.
  • →Overworking the details before establishing the overall form.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·Prussian blue oil paint
  • ·sap green oil paint

Use high-quality oil paints for best results. Prepare the canvas with a layer of gesso before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus