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home·artworks·Adoration of the Magi
Adoration of the Magi by Giovanni Battista Tiepolo

plate no. 6820

Adoration of the Magi

Giovanni Battista Tiepolo, 1753

oil, canvasRococoreligious paintingfiguresreligious scenearchitectureangelsclothingbaby
experienced study

Recreating this painting will help students develop skills in figure painting, drapery, and creating a sense of depth through atmospheric perspective. It also provides practice in rendering complex compositions with multiple figures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and architecture.

  2. step 02

    Block in the main shapes and colors using thin washes of paint.

  3. step 03

    Establish the light source and begin to build up the values, focusing on the areas of greatest contrast.

  4. step 04

    Develop the details of the figures, including the faces, hands, and clothing.

  5. step 05

    Work on the background elements, such as the architecture and sky, using looser brushstrokes.

  6. step 06

    Refine the details and add highlights to create a sense of depth and realism.

  7. step 07

    Glaze thin layers of color to unify the painting and create a sense of atmosphere.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium red · ivory black · raw sienna

Mix various shades of skin tones using titanium white, yellow ochre, and a touch of cadmium red. Create shadows by adding burnt umber and ivory black to the skin tone mixture. Achieve the blue of Mary's robe by mixing ultramarine blue with titanium white, and varying the intensity with more or less blue.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of figures
  • →Overworking details too early
  • →Muddying colors by overmixing
  • →Failing to establish a clear light source

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints (listed in color palette)
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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