apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Adoration by the Shepherds
Adoration by the Shepherds by Joachim Wtewael

plate no. 1663

Adoration by the Shepherds

Joachim Wtewael, 1625

oil, panelNorthern Renaissancereligious paintingfiguresanimalsarchitecturereligious scenelandscapenativity
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating depth through atmospheric perspective. It also provides practice in managing a complex composition with many elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and key elements.

  2. step 02

    Block in the major shapes and colors, focusing on the overall value structure.

  3. step 03

    Develop the background elements, paying attention to atmospheric perspective and softening details.

  4. step 04

    Refine the figures, focusing on accurate proportions, anatomy, and drapery folds.

  5. step 05

    Mix and apply local colors to each figure, blending to create smooth transitions and subtle variations.

  6. step 06

    Add details to the faces and hands, paying attention to light and shadow.

  7. step 07

    Render the animals, capturing their textures and forms.

  8. step 08

    Add final highlights and details to enhance the overall realism and depth.

color palette

primary · red ochre · raw umber · ivory black · titanium white

secondary · yellow ochre · Prussian blue · cadmium red light

Achieve skin tones by mixing red ochre, raw umber, and titanium white. Use Prussian blue and raw umber for shadows and cool tones. Create variations in the drapery by adding small amounts of cadmium red light to the red ochre.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in the details too early
  • →Incorrect proportions of figures
  • →Overly saturated colors
  • →Lack of value contrast
  • →Ignoring atmospheric perspective

materials

surface · stretched canvas

required

  • ·Stretched canvas (24x36 inches)
  • ·Oil paints (red ochre, raw umber, ivory black, titanium white, yellow ochre, Prussian blue, cadmium red light)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley