
plate no. 1771
Dorrit Black, 1935
Recreating this painting will help students understand how to simplify complex landscapes into geometric forms and practice layering watercolor washes to create depth and subtle color variations.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the hills and the tree, focusing on their geometric forms.
Mix a light wash of yellow ochre and apply it to the entire landscape as a base layer.
Add washes of green and brown to the hills, varying the intensity to create depth and shadow.
Use a slightly darker green to define the edges of the hills and create a sense of form.
Mix a muted blue-gray for the sky and apply it in a thin wash, leaving some areas lighter to suggest clouds.
Paint the tree trunk with a thin wash of burnt umber, adding darker tones for shadow.
Add the branches with a fine brush, using a mix of burnt umber and black.
Add final details and highlights to the hills and tree to enhance the sense of depth and form.
color palette
primary · yellow ochre · sap green · burnt umber
secondary · cerulean blue · alizarin crimson
Mix greens by combining yellow ochre and cerulean blue. Achieve browns by mixing burnt umber with yellow ochre and a touch of alizarin crimson. Create muted tones by adding a touch of complementary color.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paper to prevent buckling and ensure good color absorption. Experiment with different brush sizes to achieve varying levels of detail.
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