
plate no. 1771
Dorrit Black, 1935
approach — 8 steps
Lightly sketch the basic shapes of the hills and the tree, focusing on their geometric forms.
Mix a light wash of yellow ochre and apply it to the entire landscape as a base layer.
Add washes of green and brown to the hills, varying the intensity to create depth and shadow.
Use a slightly darker green to define the edges of the hills and create a sense of form.
Mix a muted blue-gray for the sky and apply it in a thin wash, leaving some areas lighter to suggest clouds.
Paint the tree trunk with a thin wash of burnt umber, adding darker tones for shadow.
Add the branches with a fine brush, using a mix of burnt umber and black.
Add final details and highlights to the hills and tree to enhance the sense of depth and form.
color palette
primary · yellow ochre · sap green · burnt umber
secondary · cerulean blue · alizarin crimson
Mix greens by combining yellow ochre and cerulean blue. Achieve browns by mixing burnt umber with yellow ochre and a touch of alizarin crimson. Create muted tones by adding a touch of complementary color.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paper to prevent buckling and ensure good color absorption. Experiment with different brush sizes to achieve varying levels of detail.
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