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home·artworks·Absents of the mermaid
Absents of the mermaid by Octavio Ocampo

plate no. 4168

Absents of the mermaid

Octavio Ocampo

oilSurrealismmythological paintingfigureswaterrocksshellsmythologylandscape
experienced study

Recreating this painting will help students develop skills in detailed rendering, creating textures with paint, and understanding complex compositions. It also encourages exploration of surrealist concepts and visual storytelling.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the figures and rock formations.

  2. step 02

    Establish the horizon line and the overall layout of the water area.

  3. step 03

    Block in the main color areas using a thin wash of diluted paint.

  4. step 04

    Begin building up the textures on the rocks and figures with layers of small brushstrokes.

  5. step 05

    Add details to the figures, paying attention to the anatomical forms and subtle variations in tone.

  6. step 06

    Refine the water area, creating a sense of depth and movement with varying shades of blue and green.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the forms.

  8. step 08

    Finish by adding the small details such as the water droplets and the subtle facial features.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · cerulean blue · yellow ochre

Achieve the various earth tones by mixing burnt umber and raw sienna with varying amounts of white. Add small amounts of blue to create cooler shadows and green hues for the water.

techniques

  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·layering
  • ·stippling

common pitfalls

  • →Overtly blending colors, losing the textured effect.
  • →Ignoring subtle value changes, resulting in a flat appearance.
  • →Getting lost in the details too early, neglecting the overall composition.
  • →Using too much paint, obscuring the underlying layers.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. A medium-textured canvas will help with creating the desired textures.

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