apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Abraham and the three angels
Abraham and the three angels by Jean II Restout

plate no. 2023

Abraham and the three angels

Jean II Restout

oilRococoreligious paintingfiguresangelslandscapetentreligious sceneAbraham
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in mixing subtle color variations to achieve realistic skin tones and fabric textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and compositional elements, paying attention to proportions and placement.

  2. step 02

    Establish the background with broad washes of color, focusing on the overall tonal values.

  3. step 03

    Begin blocking in the main figures with basic skin tones and drapery colors.

  4. step 04

    Refine the figures, adding details to the faces, hands, and feet.

  5. step 05

    Develop the drapery folds and shadows, using a combination of blending and layering techniques.

  6. step 06

    Add highlights to the figures and drapery to create a sense of volume and form.

  7. step 07

    Paint the details of the landscape and tent, paying attention to atmospheric perspective.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and harmonious composition.

color palette

primary · titanium white · burnt umber · yellow ochre · cadmium red

secondary · ultramarine blue · raw sienna · ivory black

Achieve skin tones by mixing titanium white, yellow ochre, cadmium red, and a touch of burnt umber. Use ultramarine blue and burnt umber to create muted grays and shadows.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of harmony.
  • →Failing to create a convincing sense of depth.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (titanium white, burnt umber, yellow ochre, cadmium red, ultramarine blue, raw sienna, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West