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home·artworks·Abbot Jean Antoine Nollet
Abbot Jean Antoine Nollet by Maurice Quentin de La Tour

plate no. 5889

Abbot Jean Antoine Nollet

Maurice Quentin de La Tour

oilRococoportraitportraitfiguremanclothinghairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle skin tone variations, and rendering of fabric and hair. It also provides practice in creating soft, diffused lighting and smooth transitions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the overall value structure with a thin wash of neutral color.

  3. step 03

    Begin layering in the skin tones, focusing on the subtle variations in color and value.

  4. step 04

    Paint the hair, paying attention to the direction of the curls and the highlights and shadows.

  5. step 05

    Render the clothing, capturing the folds and textures of the fabric.

  6. step 06

    Refine the details of the face, including the eyes, nose, and mouth.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · ivory black · yellow ochre · burnt umber

secondary · cadmium red light · ultramarine blue

Skin tones are achieved by mixing white, yellow ochre, and a touch of red and umber. Dark clothing is created by mixing black and umber, with small amounts of blue or red to adjust the tone.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle variations in color and value.
  • →Ignoring the direction of the light and creating flat, lifeless forms.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A smooth canvas surface will make blending easier.

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oil painting for beginners →how to learn by studying the masters →
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