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home·artworks·Abbot Claude Charles Deschamps
Abbot  Claude Charles Deschamps by Maurice Quentin de La Tour

plate no. 5390

Abbot Claude Charles Deschamps

Maurice Quentin de La Tour

oilRococoportraitportraitfiguremanclerical collarfacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle color mixing for skin tones, and creating depth through value changes. It also provides practice in rendering fabric and hair.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and collar.

  2. step 02

    Establish the background with a dark, muted tone.

  3. step 03

    Block in the main areas of the face with a mid-tone flesh color.

  4. step 04

    Begin layering lighter and darker tones to define the planes of the face, paying attention to highlights and shadows.

  5. step 05

    Add the details of the eyes, nose, and mouth, focusing on accurate shapes and values.

  6. step 06

    Paint the hair, using short, broken strokes to create texture and volume.

  7. step 07

    Render the collar and clothing, paying attention to the subtle folds and highlights.

  8. step 08

    Refine the details and blend the edges to create a smooth, realistic finish.

color palette

primary · titanium white · burnt umber · yellow ochre · cadmium red light

secondary · ultramarine blue · ivory black

Mix various combinations of white, yellow ochre, burnt umber, and cadmium red to achieve different skin tones. Use ultramarine blue and ivory black to create the dark background and clothing.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·value study
  • ·color mixing

common pitfalls

  • →Getting the proportions wrong, leading to an inaccurate likeness.
  • →Overblending, resulting in a flat, lifeless appearance.
  • →Using too much white, making the skin tones look chalky.
  • →Ignoring the subtle value changes, resulting in a lack of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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