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home·artworks·A Young Woman With a Macaw
A Young Woman With a Macaw by Giovanni Battista Tiepolo

plate no. 2636

A Young Woman With a Macaw

Giovanni Battista Tiepolo, 1760

oil, canvasRococoportraitfigureparrotportraitdraperyjewelryrococo
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate skin tone mixing and rendering of soft light and shadow. It also provides practice in depicting textures like feathers and fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a toned ground (burnt umber wash).

  2. step 02

    Sketch the basic composition, focusing on proportions and placement of the figure and parrot.

  3. step 03

    Block in the main areas of color: skin tones, drapery, parrot feathers, and background.

  4. step 04

    Begin layering and blending the skin tones, paying attention to subtle shifts in value and hue.

  5. step 05

    Develop the drapery, focusing on the folds and highlights.

  6. step 06

    Work on the parrot, building up the feather textures with small brushstrokes.

  7. step 07

    Refine the details of the face, jewelry, and hair.

  8. step 08

    Add final glazes to enhance the depth and luminosity of the painting.

color palette

primary · titanium white · burnt umber · cadmium red · yellow ochre

secondary · ultramarine blue · viridian green · ivory black

Achieve skin tones by mixing titanium white, burnt umber, cadmium red, and a touch of yellow ochre. Darken shadows with burnt umber and ivory black. Use ultramarine blue and viridian green to create the background.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Over-blending skin tones, resulting in a flat, lifeless appearance.
  • →Incorrect proportions of the figure or parrot.
  • →Failing to capture the subtle variations in color and value.
  • →Getting the feather texture wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A medium like linseed oil can help with blending and glazing.

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