apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Young man (Savoyard)
A Young man (Savoyard) by Jean-Baptiste Greuze

plate no. 1292

A Young man (Savoyard)

Jean-Baptiste Greuze

oil, canvasRococoportraitportraitfigureboyhairclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and rendering realistic hair. It also provides practice in creating soft, diffused lighting and blending techniques.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure's proportions and pose.

  2. step 02

    Block in the main shapes and values with thin washes of color.

  3. step 03

    Establish the background with a dark, muted tone.

  4. step 04

    Begin building up the skin tones, paying attention to subtle variations in color and value.

  5. step 05

    Add details to the eyes, nose, and mouth, focusing on capturing the likeness.

  6. step 06

    Render the hair with loose, flowing brushstrokes, varying the color and value to create depth.

  7. step 07

    Paint the clothing, paying attention to the folds and shadows.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · raw umber · burnt sienna · yellow ochre

secondary · alizarin crimson · ultramarine blue

Achieve skin tones by mixing white, raw umber, burnt sienna, and a touch of alizarin crimson. Use ultramarine blue and raw umber to create the darker tones in the background and clothing.

techniques

  • ·blending
  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the skin tones and losing the subtle variations.
  • →Creating harsh lines and edges instead of soft transitions.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the importance of value contrast in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (titanium white, raw umber, burnt sienna, yellow ochre, alizarin crimson, ultramarine blue)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a more harmonious color palette.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West