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home·artworks·A View of the Tiber with Rome in the Distance
A View of the Tiber with Rome in the Distance by Richard Wilson

plate no. 7476

A View of the Tiber with Rome in the Distance

Richard Wilson, 1775

oilRococolandscapelandscaperiverskyfiguresarchitecturetrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create depth. Students will also practice rendering soft, blended transitions of light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major elements like the trees, buildings, and hills.

  2. step 02

    Block in the sky with broad strokes, establishing the gradient from blue to yellow/orange near the horizon.

  3. step 03

    Establish the distant landscape using diluted washes of muted greens, blues, and browns to create atmospheric perspective.

  4. step 04

    Paint the middle ground, adding more detail to the hills and trees, using slightly more saturated colors.

  5. step 05

    Focus on the foreground elements, adding detail to the trees, figures, and any architectural features.

  6. step 06

    Refine the lighting and shadows, paying attention to the direction of the sunlight.

  7. step 07

    Add final details and highlights to create depth and visual interest.

  8. step 08

    Glaze with thin layers to unify colors and add luminosity.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium yellow · raw sienna · alizarin crimson

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by adding white to colors for distant elements.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·soft blending
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details in the distant landscape.
  • →Using colors that are too saturated for the background.
  • →Creating harsh lines instead of soft transitions.
  • →Ignoring the importance of value contrast to create depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·round brushes
  • ·flat brushes
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color harmony.

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