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home·artworks·A View of Hamoze and Plymouth Dock from Mount Edgcumbe
A View of Hamoze and Plymouth Dock from Mount Edgcumbe by George Lambert

plate no. 3835

A View of Hamoze and Plymouth Dock from Mount Edgcumbe

George Lambert

oilRococolandscapelandscapetreeswaterskycityscapeships
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for landscapes, and creating depth through layering. It also provides practice in rendering realistic cloud formations and distant details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major landforms.

  2. step 02

    Block in the sky with light blue and white, blending smoothly.

  3. step 03

    Add the dark storm clouds, using grays and blues, and blend edges for a soft effect.

  4. step 04

    Establish the distant landmasses with muted greens and browns, using atmospheric perspective to lighten the values as they recede.

  5. step 05

    Paint the trees in the foreground, varying the greens, browns, and yellows to create depth and texture.

  6. step 06

    Add details to the water, including reflections and subtle color variations.

  7. step 07

    Include the ships and buildings in the middle ground, keeping the details soft and indistinct.

  8. step 08

    Refine the details in the foreground trees and add highlights to create a sense of light and shadow.

color palette

primary · Prussian blue · Titanium white · Burnt umber · Yellow ochre

secondary · Cadmium yellow · Raw sienna · Payne's gray

Mix blues and grays with white to create the sky and clouds. Use burnt umber and yellow ochre for earth tones, and add small amounts of blue or green to create variations in the foliage.

techniques

  • ·Atmospheric perspective
  • ·Color layering
  • ·Soft blending
  • ·Dry brushing for texture
  • ·Glazing

common pitfalls

  • →Overworking the details in the distant areas.
  • →Using too much pure color without considering atmospheric perspective.
  • →Creating harsh lines instead of soft transitions.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints
  • ·Round brushes (#2, #4, #6)
  • ·Flat brushes (#6, #8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Retarder medium
  • ·Varnish

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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