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home·artworks·A View of Box Hill, Surrey
A View of Box Hill, Surrey by George Lambert

plate no. 2988

A View of Box Hill, Surrey

George Lambert, 1733

oilRococolandscapelandscapehillsskycloudsfigurestrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through subtle color and value changes. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the hills and trees.

  2. step 02

    Establish the sky with a light blue base and add soft, blended clouds.

  3. step 03

    Block in the distant hills with muted greens and browns, using lighter values for areas further away.

  4. step 04

    Paint the foreground field with a base of yellow ochre and add details of harvested crops using darker browns and yellows.

  5. step 05

    Add the figures in the foreground, paying attention to their proportions and placement within the scene.

  6. step 06

    Paint the trees on the sides, using a mix of greens and browns, and add details to the foliage.

  7. step 07

    Refine the details of the hills, adding shadows and highlights to create depth.

  8. step 08

    Add final touches, such as small details in the foreground and subtle variations in the sky.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · sap green · raw sienna

Mix muted greens by combining ultramarine blue, yellow ochre, and a touch of burnt umber. Achieve atmospheric perspective by lightening colors with titanium white and adding a touch of blue as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·color blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overly saturated colors can flatten the image and reduce the sense of depth.
  • →Neglecting the subtle value changes in the hills can make them appear flat and unrealistic.
  • →Rushing the blending of the sky and clouds can result in a messy and unnatural appearance.
  • →Making the figures too detailed can distract from the overall landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (yellow ochre, ultramarine blue, burnt umber, titanium white, sap green)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a pre-toned canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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