apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Victory of Christianity in the time of Alaric (Preparatory Study)
A Victory of Christianity in the time of Alaric (Preparatory Study) by Cesare Tallone

plate no. 9263

A Victory of Christianity in the time of Alaric (Preparatory Study)

Cesare Tallone, 1879

oil, canvasRomanticismhistory paintingfiguresarchitecturecrowdhistorical sceneswordbuilding
experienced study

Recreating this painting will help students develop skills in figure drawing, composition, and creating a sense of depth through atmospheric perspective. It also offers practice in capturing emotion and narrative through brushwork and color.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and architectural elements, paying attention to proportions and perspective.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Begin blocking in the main color areas, focusing on the skin tones, drapery, and background buildings.

  4. step 04

    Develop the figures, refining their forms and adding details to their faces and clothing.

  5. step 05

    Work on the background elements, creating a sense of depth by softening the details and colors as they recede into the distance.

  6. step 06

    Add highlights and shadows to create form and dimension, paying attention to the light source.

  7. step 07

    Refine the details and add finishing touches, such as the sword and the halo.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall mood.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white with small amounts of cadmium red for warmth. Use ultramarine blue and burnt umber for shadows and atmospheric perspective.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·glazing
  • ·chiaroscuro
  • ·alla prima

common pitfalls

  • →Incorrect proportions in figures
  • →Overworking details too early
  • →Failing to create a sense of depth
  • →Muddy colors due to overmixing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke