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home·artworks·A Venetian Lady from the House of Barbarigo (Caterina Sagredo Barbarigo)
A Venetian Lady from the House of Barbarigo (Caterina Sagredo Barbarigo) by Rosalba Carriera

plate no. 0000

A Venetian Lady from the House of Barbarigo (Caterina Sagredo Barbarigo)

Rosalba Carriera, 1735

oilRococoportraitportraitfigureclothingjewelryhatrococo
some experience helpful

Recreating this portrait will help students develop skills in portraiture, color mixing for skin tones, and rendering delicate details like jewelry and fabric folds. Students will also learn to create soft, blended transitions in pastel.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, hat, and clothing.

  2. step 02

    Establish the background color with a light, even layer of pastel.

  3. step 03

    Block in the main areas of color for the skin, clothing, and hat, focusing on the overall value structure.

  4. step 04

    Begin layering and blending colors to create smooth transitions and subtle variations in skin tone.

  5. step 05

    Add details to the face, including the eyes, nose, and mouth, paying attention to accurate proportions and subtle shading.

  6. step 06

    Render the clothing and jewelry, focusing on capturing the texture and details of the fabric and pearls.

  7. step 07

    Refine the highlights and shadows to create depth and dimension.

  8. step 08

    Add final details and adjustments to complete the portrait.

color palette

primary · titanium white · ultramarine blue · burnt sienna · rose madder

secondary · yellow ochre · ivory black · raw umber

Achieve skin tones by mixing white, burnt sienna, rose madder, and a touch of yellow ochre. Vary the proportions to create different shades and highlights. Use ultramarine blue and white for the background, adding a touch of black for darker areas.

techniques

  • ·pastel blending
  • ·layering
  • ·scumbling
  • ·portraiture
  • ·rendering fabric

common pitfalls

  • →Overblending and losing detail
  • →Inaccurate proportions
  • →Using colors straight from the tube without mixing
  • →Ignoring the value structure
  • →Getting the skin tones muddy

materials

surface · pastel paper (toned)

required

  • ·pastel set (soft pastels)
  • ·pastel pencils
  • ·pastel paper (toned)
  • ·kneaded eraser
  • ·fixative spray
  • ·blending stumps
  • ·ruler

optional

  • ·palette knife
  • ·workable fixative

Choose a pastel paper with a slightly textured surface to allow the pastel to adhere well. A toned paper will help to create a more harmonious color scheme.

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