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home·artworks·A Sunny Afternoon, Shinnecock Hills
A Sunny Afternoon, Shinnecock Hills by William Merritt Chase

plate no. 6489

A Sunny Afternoon, Shinnecock Hills

William Merritt Chase, 1898

oil, panelImpressionismlandscapelandscapepathskycloudsfieldvegetation
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in the landscape and practice layering brushstrokes to create texture and depth. It also provides practice in creating atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the path and horizon line.

  2. step 02

    Block in the sky with light blue, leaving space for the clouds.

  3. step 03

    Establish the general color areas of the field using a mix of yellows, greens, and browns.

  4. step 04

    Add the path using lighter, sandy tones, paying attention to its perspective.

  5. step 05

    Layer in details of the vegetation, using short, broken brushstrokes.

  6. step 06

    Define the clouds with white and light gray, softening the edges.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Refine details and adjust colors as needed.

color palette

primary · ultramarine blue · yellow ochre · titanium white · burnt umber

secondary · sap green · cadmium yellow · raw sienna

Mix ultramarine blue and white for the sky. Use yellow ochre and burnt umber for the field. Mix white with a touch of yellow ochre and burnt umber for the path. Green is achieved by mixing blue and yellow.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·layering

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Creating overly sharp edges, especially on the clouds.
  • →Neglecting atmospheric perspective, making the background appear too detailed.
  • →Not varying brushstrokes enough, resulting in a flat texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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