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home·artworks·A spanish church
A spanish church by Carlos Saenz de Tejada

plate no. 3081

A spanish church

Carlos Saenz de Tejada

oilArt Nouveau (Modern)illustrationchurcharchitecturefiguresarchwaybuildinghistorical
some experience helpful

Recreating this image will help students develop skills in hatching and cross-hatching for shading, as well as understanding perspective in architectural drawing. It also provides practice in depicting figures in motion and creating a sense of depth through tonal variations.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on the architectural structure and the placement of figures.

  2. step 02

    Establish the main lines of perspective, particularly for the archway and the receding planes of the building.

  3. step 03

    Start adding darker values to define the shadows and create contrast, using hatching and cross-hatching techniques.

  4. step 04

    Focus on rendering the details of the architectural elements, such as the carvings and the texture of the stone.

  5. step 05

    Develop the figures, paying attention to their poses and the folds of their clothing.

  6. step 06

    Refine the shading and details, gradually building up the tonal range to create depth and dimension.

  7. step 07

    Add final touches to enhance the overall atmosphere and mood of the scene.

  8. step 08

    Review and adjust the values and details to achieve a cohesive and balanced composition.

color palette

primary · black · white · gray

secondary · sepia

Varying the pressure and density of lines creates different shades of gray.

techniques

  • ·hatching
  • ·cross-hatching
  • ·stippling
  • ·line weight variation
  • ·perspective drawing

common pitfalls

  • →Overworking the details and losing the overall sense of light and shadow.
  • →Failing to establish a clear focal point and creating a cluttered composition.
  • →Inconsistent line weight, resulting in a flat and lifeless drawing.
  • →Incorrect perspective, leading to a distorted and unrealistic representation of the architecture.

materials

surface · smooth drawing paper

required

  • ·drawing paper
  • ·graphite pencils (HB, 2B, 4B)
  • ·eraser
  • ·ruler
  • ·sharpener
  • ·fine liner pens

optional

  • ·kneaded eraser
  • ·tortillon
  • ·drawing board

Use a variety of pencil grades to achieve a full range of values. Consider using archival ink for permanence.

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