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home·artworks·A Saint, from the 'Jackdaw of Rheims'
A Saint, from the 'Jackdaw of Rheims' by Briton Riviere

plate no. 0196

A Saint, from the 'Jackdaw of Rheims'

Briton Riviere, 1868

oilAcademicismanimal paintingbirdbookswindowarchitecturewallinterior
some experience helpful

Recreating this painting will help students develop skills in rendering textures like stone and feathers, as well as understanding light and shadow to create depth and form. It also offers practice in depicting intricate details like the stained glass window.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: window, books, and bird, paying attention to proportions.

  2. step 02

    Block in the background wall with a base layer of warm brown tones.

  3. step 03

    Establish the basic colors of the stained glass window, focusing on the geometric pattern.

  4. step 04

    Paint the stack of books, layering different shades of red and brown to create depth and form.

  5. step 05

    Begin to define the bird's shape with dark values, gradually adding highlights to create form.

  6. step 06

    Refine the details of the bird, including feathers, beak, and eyes.

  7. step 07

    Add highlights and shadows to the wall and books to enhance the three-dimensional effect.

  8. step 08

    Add final details to the window and books, such as the rosary beads.

color palette

primary · burnt umber · cadmium red · ivory black

secondary · yellow ochre · ultramarine blue

Mix burnt umber with ivory black for the bird's dark feathers. Use yellow ochre and burnt umber for the warm tones of the wall. Mix cadmium red with burnt umber to achieve the different shades of red for the books.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated, resulting in a flat appearance.
  • →Losing the overall composition by focusing too much on individual elements.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·linseed oil
  • ·palette knife
  • ·medium gloss

Use a canvas with a smooth surface for better detail rendering. Consider using a glazing medium to enhance the depth of colors.

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