apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Portrait of Mrs. James Leigh Coleman
A Portrait of Mrs. James Leigh Coleman by Raimundo de Madrazo

plate no. 7239

A Portrait of Mrs. James Leigh Coleman

Raimundo de Madrazo, 1886

oil, canvasAcademicismportraitportraitfiguredresslacefanbackground
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures with subtle color variations. It also provides practice in creating depth and atmosphere with a limited color palette.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background, gradually building up layers of dark tones.

  4. step 04

    Focus on the face, carefully rendering the features and skin tones.

  5. step 05

    Work on the dress, paying attention to the folds, highlights, and shadows.

  6. step 06

    Add details such as the lace, jewelry, and fan.

  7. step 07

    Refine the overall painting, adjusting values and adding finishing touches.

  8. step 08

    Glaze to unify the colors and add depth.

color palette

primary · yellow ochre · raw umber · ivory black · titanium white

secondary · burnt sienna · cadmium yellow light

Achieve the dress's golden hues by mixing yellow ochre with small amounts of cadmium yellow light and white. Use raw umber and ivory black to create the dark background and shadows, adding small amounts of burnt sienna for warmth.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Creating a flat, lifeless background.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (yellow ochre, raw umber, ivory black, titanium white, burnt sienna, cadmium yellow light)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus