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home·artworks·A Jewish Rabbi
A Jewish Rabbi by John Jackson

plate no. 2933

A Jewish Rabbi

John Jackson, 1817

oilRococoportraitportraitfigurebeardbookold man
some experience helpful

This painting offers a good exercise in portraiture, focusing on capturing likeness and using light and shadow to model form. Students will also learn to create realistic textures, particularly in the hair and beard.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes and proportions of the figure, book, and head.

  2. step 02

    Establish the overall value structure by blocking in the dark background and the main areas of light and shadow on the figure.

  3. step 03

    Start refining the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.

  4. step 04

    Develop the hair and beard, using layers of paint to create texture and volume.

  5. step 05

    Work on the hands and the book, adding details and refining the forms.

  6. step 06

    Adjust the values and colors throughout the painting to create a sense of depth and realism.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall effect.

color palette

primary · raw umber · ivory black · titanium white · yellow ochre

secondary · burnt sienna · cadmium yellow light

Mix various shades of brown and gray by combining raw umber, ivory black, and titanium white. Use yellow ochre and burnt sienna to add warmth to the skin tones.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·dry brushing
  • ·portraiture
  • ·value studies

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Not paying close enough attention to proportions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall value structure.

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oil painting for beginners →how to learn by studying the masters →
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