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home·artworks·A House at Estaque
A House at Estaque by Georges Braque

plate no. 6637

A House at Estaque

Georges Braque, 1908

oil, canvasCubismcityscapebuildingshouseslandscapetreescubismcityscape
some experience helpful

Recreating this painting will help students understand how to break down complex forms into geometric shapes and use a limited palette to create depth and form. It also provides practice in applying light and shadow to create a sense of volume on abstract shapes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic geometric shapes of the houses and surrounding landscape.

  2. step 02

    Establish the darkest areas of the painting with a thin wash of dark brown or black.

  3. step 03

    Begin blocking in the mid-tones using a mixture of browns and grays, defining the planes of the buildings.

  4. step 04

    Add highlights to the buildings, using lighter shades of beige and white.

  5. step 05

    Refine the shapes and edges of the geometric forms, paying attention to the angles and proportions.

  6. step 06

    Add details to the surrounding landscape, using darker greens and browns to create depth.

  7. step 07

    Blend edges where necessary to soften transitions between planes.

  8. step 08

    Add final highlights and shadows to enhance the three-dimensional effect.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · ivory black · yellow ochre

Mix raw umber and ivory black for the dark shadows. Use burnt sienna and white for the warmer highlights. Add yellow ochre to the browns for subtle variations.

techniques

  • ·geometric abstraction
  • ·planar analysis
  • ·limited palette
  • ·value shading
  • ·dry brushing

common pitfalls

  • →Overcomplicating the shapes; keep the forms relatively simple and geometric.
  • →Using too many colors; stick to the limited palette to maintain harmony.
  • →Ignoring the light source; ensure that the highlights and shadows are consistent.
  • →Losing the overall composition; step back frequently to assess the balance of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

A canvas with a medium texture is recommended. Use a limited palette to capture the essence of Braque's style.

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oil painting for beginners →how to learn by studying the masters →
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