apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Head of a Young Man
A Head of a Young Man by Alexander Ivanov

plate no. 6748

A Head of a Young Man

Alexander Ivanov, 1845

oil, paperAcademicismportraitportraitmanhairfacebeard
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering hair texture. It also provides practice in subtle color mixing and value control to create form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the outline of the head and facial features, paying attention to proportions.

  2. step 02

    Establish the background color with a thin wash of yellow ochre and white.

  3. step 03

    Block in the main areas of shadow and light on the face and neck using a mix of burnt umber, yellow ochre, and white.

  4. step 04

    Begin to build up the hair mass with dark browns and blacks, indicating the overall shape and direction of the curls.

  5. step 05

    Refine the facial features, adding details to the eyes, nose, and mouth. Use subtle color variations to create form.

  6. step 06

    Add highlights to the hair to define individual curls and create a sense of volume.

  7. step 07

    Blend the edges of the shadows and highlights on the face to create a smooth transition.

  8. step 08

    Add final details and adjust values as needed to achieve a realistic representation.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · ivory black · raw sienna

Achieve skin tones by mixing yellow ochre, burnt umber, and white in varying proportions. Use ivory black sparingly to darken shadows. Add raw sienna for warmth.

techniques

  • ·portraiture
  • ·blending
  • ·value study
  • ·hair rendering
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much black, resulting in a muddy appearance.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

Via Appia at Sunset

Via Appia at Sunset

Alexander Ivanov