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home·artworks·A gentleman in a brown coat and stock
A gentleman in a brown coat and stock by Lemuel Francis Abbott

plate no. 3380

A gentleman in a brown coat and stock

Lemuel Francis Abbott

oilRococoportraitportraitfiguremanclothinghistoricalhair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including proportion, likeness, and rendering of skin tones and clothing folds. It also provides practice in creating a sense of depth and form using subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Block in the background with a dark, neutral color.

  3. step 03

    Establish the main areas of light and shadow on the face and clothing using thin washes of color.

  4. step 04

    Begin to refine the facial features, paying close attention to the shapes of the eyes, nose, and mouth.

  5. step 05

    Develop the details of the hair, using small, broken brushstrokes to create texture.

  6. step 06

    Work on the clothing, focusing on the folds and highlights to create a sense of volume.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · burnt umber · titanium white

secondary · cadmium red light · yellow ochre

Mix skin tones by blending white, yellow ochre, and a touch of red. Use ivory black mixed with burnt umber for the dark background and shadows in the clothing.

techniques

  • ·portrait sketching
  • ·value studies
  • ·glazing
  • ·blending
  • ·scumbling

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and form.
  • →Ignoring the subtle value changes in the skin tones.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (ivory black, burnt umber, titanium white, yellow ochre, cadmium red light)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags or paper towels

optional

  • ·Retouch varnish
  • ·Medium (e.g., Liquin)

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for blending and layering.

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