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home·artworks·A Fortune Teller at Venice
A Fortune Teller at Venice by Pietro Longhi

plate no. 3050

A Fortune Teller at Venice

Pietro Longhi, 1756

oil, canvasRococogenre paintingfiguresarchitectureinteriorclothingcolumnsmarket
some experience helpful

Recreating this painting will help students develop skills in rendering figures in historical clothing and capturing the atmosphere of an interior scene with subtle lighting. It also provides practice in creating realistic skin tones and drapery.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and architectural elements.

  2. step 02

    Establish the background with thin washes of muted colors, paying attention to the light and shadow.

  3. step 03

    Block in the main figures with simplified shapes and values, focusing on the overall form and gesture.

  4. step 04

    Develop the details of the figures' clothing, using layering and glazing techniques to create depth and texture.

  5. step 05

    Refine the facial features and expressions, paying attention to the subtle nuances of light and shadow.

  6. step 06

    Add details to the architectural elements, such as the columns and floor, using a variety of brushstrokes to create texture.

  7. step 07

    Adjust the overall color harmony and value contrast to create a cohesive and atmospheric painting.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · cadmium red light · ultramarine blue · burnt sienna

Achieve the muted tones by mixing earth tones with white and small amounts of blue or red. Use glazes of transparent colors to create depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·layering

common pitfalls

  • →overworking the details too early
  • →using colors that are too bright or saturated
  • →losing the overall sense of light and atmosphere
  • →incorrect proportions of figures

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a more harmonious color palette.

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oil painting for beginners →how to learn by studying the masters →
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