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home·artworks·A Day in March
A Day in March by Robert Spencer

plate no. 2632

A Day in March

Robert Spencer, 1918

oilImpressionismgenre paintingbuildingstreesfiguresskyriverchimneys
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and capturing the effects of light on different surfaces. It also provides practice in depicting figures in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: buildings, trees, and the general placement of figures.

  2. step 02

    Establish the sky with thin washes of blue and white, allowing some brushstrokes to show.

  3. step 03

    Block in the large shapes of the buildings using a mix of warm and cool grays, paying attention to the light and shadow.

  4. step 04

    Add the red roofs and chimneys, varying the intensity of the red with browns and oranges.

  5. step 05

    Paint the trees with thin, gestural strokes, using browns and grays. Focus on capturing the delicate branches.

  6. step 06

    Block in the figures with simplified shapes and colors, suggesting details without overworking them.

  7. step 07

    Add the ground and water, using greens, browns, and grays to create a sense of depth and texture.

  8. step 08

    Refine the details, such as the windows, doors, and the texture of the buildings, using small brushstrokes.

color palette

primary · titanium white · raw umber · burnt sienna · ultramarine blue

secondary · yellow ochre · cadmium red light

Achieve the building colors by mixing white with raw umber and small amounts of burnt sienna and ultramarine blue. Vary the ratios to create subtle shifts in tone.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·alla prima

common pitfalls

  • →Overworking the details
  • →Creating muddy colors
  • →Ignoring the light and shadow patterns
  • →Making the figures too detailed

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#4 round brush
  • ·#6 flat brush
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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