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home·artworks·A Chilly Morning in Luxembourg
A Chilly Morning in Luxembourg by Alice Bailly

plate no. 9232

A Chilly Morning in Luxembourg

Alice Bailly, 1921

oil, canvasCubismportraitportraitfigurehatfur collarglovesarchitecture
some experience helpful

Recreating this painting will help students develop skills in simplifying complex forms into geometric shapes and understanding subtle color variations within a limited palette. It also provides practice in creating a sense of depth through layering and tonal values.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure and background, focusing on proportions and composition.

  2. step 02

    Block in the main color areas with thin washes, establishing the overall tonal values.

  3. step 03

    Begin layering colors to build depth and dimension in the fur collar and clothing.

  4. step 04

    Refine the shapes of the face and hands, paying attention to subtle details.

  5. step 05

    Add highlights and shadows to create form and volume.

  6. step 06

    Define the architectural elements in the background with simple geometric shapes.

  7. step 07

    Blend edges where necessary to create smooth transitions between colors.

  8. step 08

    Add final details and adjust values as needed to achieve the desired effect.

color palette

primary · raw umber · titanium white · ivory black

secondary · yellow ochre · burnt sienna

Achieve the various browns and grays by mixing raw umber, ivory black, and titanium white in different proportions. Add small amounts of yellow ochre or burnt sienna for warmth.

techniques

  • ·color mixing
  • ·layering
  • ·blending
  • ·geometric abstraction
  • ·tonal value

common pitfalls

  • →Overworking the details and losing the simplified geometric forms.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a clear value structure.
  • →Ignoring the subtle color variations within the limited palette.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·round brushes
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette of oil paints to encourage careful color mixing.

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oil painting for beginners →how to learn by studying the masters →
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