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home·artworks·25. Tarleton Canal After the Langlois Bridge at Arles 2017 by Anthony D. Padgett (after Van Gogh Arles 1888)
25. Tarleton Canal After the Langlois Bridge at Arles 2017 by Anthony D. Padgett (after Van Gogh Arles 1888) by Anthony Padgett

plate no. 5077

25. Tarleton Canal After the Langlois Bridge at Arles 2017 by Anthony D. Padgett (after Van Gogh Arles 1888)

Anthony Padgett, 2017

oilPointillismsymbolic paintingcanalbridgefiguretreeswatersky
some experience helpful

Recreating this painting will help students develop skills in applying visible brushstrokes to create texture and form, and in simplifying complex scenes into basic shapes and colors. Students will also practice capturing reflections in water using broken color.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the bridge, figure, and trees.

  2. step 02

    Block in the large areas of color: sky, water, land, and the figure's clothing.

  3. step 03

    Add darker values to define shadows and create depth.

  4. step 04

    Begin applying visible brushstrokes to build up texture in the sky, water, and foliage.

  5. step 05

    Mix lighter values and apply highlights to create a sense of light and form.

  6. step 06

    Refine the details of the bridge, including the railings and 'STOP' sign.

  7. step 07

    Add details to the figure, focusing on the face and hands.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and expressive painting.

color palette

primary · ultramarine blue · titanium white · yellow ochre · sap green

secondary · burnt umber · cadmium red · cerulean blue

Mix various shades of blue and white for the sky and water. Use yellow ochre and burnt umber for the land. Combine sap green with yellow ochre and ultramarine blue for different shades of green.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·alla prima
  • ·color mixing

common pitfalls

  • →Overblending the colors, losing the texture of the brushstrokes.
  • →Making the water too uniform, failing to capture the reflections.
  • →Getting the proportions of the figure wrong.
  • →Not simplifying the scene enough, resulting in a cluttered composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·apron

Use good quality oil paints for best results. Experiment with different brush sizes and shapes to achieve the desired texture.

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oil painting for beginners →how to learn by studying the masters →
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