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home·artworks·20. Rapeseed After Wheatfield 2017 by Anthony D. Padgett (after Van Gogh Arles 1888)
20. Rapeseed After Wheatfield 2017 by Anthony D. Padgett (after Van Gogh Arles 1888) by Anthony Padgett

plate no. 8752

20. Rapeseed After Wheatfield 2017 by Anthony D. Padgett (after Van Gogh Arles 1888)

Anthony Padgett, 2017

oilPointillismsymbolic paintingfieldflowersskycloudslandscapevegetation
some experience helpful

Recreating this painting will help students develop skills in impasto techniques and using directional brushstrokes to create texture and form. It also provides practice in color mixing and layering to achieve depth.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch a basic horizon line and the placement of the field and sky.

  2. step 02

    Block in the sky with light blue, using horizontal brushstrokes.

  3. step 03

    Add white brushstrokes for clouds, maintaining a horizontal direction.

  4. step 04

    Block in the field with a mix of yellow and green, using short, directional brushstrokes.

  5. step 05

    Layer darker greens and yellows to create depth and variation in the field.

  6. step 06

    Add the flower stalks with thin, vertical strokes of dark green.

  7. step 07

    Apply thick dabs of yellow paint for the flower blossoms, using a loaded brush.

  8. step 08

    Add final details and highlights to the flowers and field.

color palette

primary · yellow · green · light blue

secondary · white · dark green · ochre

Mix various shades of green by combining yellow and blue. Achieve lighter blues by adding white to the base blue. Use ochre to tone down the yellow for a more natural look.

techniques

  • ·Impasto
  • ·Directional brushstrokes
  • ·Color layering
  • ·Dry brush
  • ·Broken color

common pitfalls

  • →Over-blending colors, losing the texture of the brushstrokes.
  • →Using too much paint, creating a muddy effect.
  • →Neglecting the directional brushstrokes, resulting in a flat appearance.
  • →Failing to vary the colors within the field, leading to a monotonous look.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Oil paints (yellow, green, light blue, white, dark green)
  • ·Round brushes (various sizes)
  • ·Flat brushes (various sizes)
  • ·Palette knife
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits

optional

  • ·Medium gloss
  • ·Easel
  • ·Apron

Use high-quality oil paints for best results. A textured canvas can enhance the impasto effect.

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oil painting for beginners →how to learn by studying the masters →
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