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home·artworks·1814. Campagne de France (Napoleon and his staff returning from Soissons after the Battle of Laon)
1814. Campagne de France (Napoleon and his staff returning from Soissons after the Battle of Laon) by Ernest Meissonier

plate no. 5781

1814. Campagne de France (Napoleon and his staff returning from Soissons after the Battle of Laon)

Ernest Meissonier, 1864

oil, woodAcademicismhistory paintinghorsesfiguressoldiersskylandscapehistorical
experienced study

Recreating this painting will help students develop skills in depicting figures and horses in perspective, as well as creating atmospheric perspective using subtle value and color shifts. It also provides practice in rendering details with loose brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and horses.

  2. step 02

    Block in the main shapes and values of the sky, ground, and figures using thin washes of color.

  3. step 03

    Develop the background figures and landscape, focusing on atmospheric perspective by gradually softening details and lightening values.

  4. step 04

    Refine the shapes and details of the horses and riders in the foreground, paying attention to anatomy and proportions.

  5. step 05

    Add highlights and shadows to create form and dimension, using thicker paint and more visible brushstrokes.

  6. step 06

    Work on the details of the faces and uniforms, using smaller brushes and more precise strokes.

  7. step 07

    Adjust the overall color harmony and value relationships to create a sense of unity and atmosphere.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · yellow ochre · ultramarine blue · cadmium red light

Mix various shades of gray for the sky and figures by combining ivory black and titanium white. Use raw umber and burnt sienna for the horses and ground, adjusting the values with white and black. Add small amounts of ultramarine blue to the grays for a cooler tone.

techniques

  • ·atmospheric perspective
  • ·grisaille underpainting
  • ·dry brushing
  • ·scumbling
  • ·figure drawing

common pitfalls

  • →Overworking details in the background
  • →Incorrect proportions of horses and figures
  • →Muddying colors by overmixing
  • →Ignoring atmospheric perspective
  • →Lack of value contrast

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-tooth canvas for better texture. Consider using a toned canvas to speed up the underpainting process.

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oil painting for beginners →how to learn by studying the masters →
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