
plate no. 6565
Jacoba van Heemskerck, 1913
Recreating this painting will help students understand cubist principles of breaking down forms into geometric shapes and building a composition through overlapping planes. It also provides practice in color mixing and value control within a limited palette.
technical profile
approach — 8 steps
Lightly sketch the overall composition, focusing on the placement of the vase, flowers, and table.
Break down the objects into geometric shapes (squares, triangles, rectangles).
Outline these shapes with a pencil, creating a grid-like structure.
Mix the base colors: a range of greens, yellows, grays, and browns.
Begin filling in the shapes with the appropriate colors, paying attention to value changes within each shape.
Add darker values to create shadows and depth.
Introduce lighter values to highlight certain areas and create contrast.
Refine the edges of the shapes and add any final details.
color palette
primary · yellow ochre · raw umber · titanium white · sap green
secondary · ultramarine blue · burnt sienna
Mix various shades of green by combining yellow ochre, sap green, and a touch of ultramarine blue. Create grays by mixing raw umber and titanium white, adjusting the ratio for different values. Use burnt sienna to add warmth to the browns and yellows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Using a limited palette will help achieve a cohesive look. Practice mixing colors before applying them to the canvas.
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