apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·15. Self Portrait with Straw Hat 2017 by Anthony D. Padgett (after Van Gogh Paris 1887)
15. Self Portrait with Straw Hat 2017 by Anthony D. Padgett (after Van Gogh Paris 1887) by Anthony Padgett

plate no. 6882

15. Self Portrait with Straw Hat 2017 by Anthony D. Padgett (after Van Gogh Paris 1887)

Anthony Padgett, 2017

oilPointillismsymbolic paintingportraithatfigureclothingfaceself-portrait
some experience helpful

Recreating this painting will help students understand and practice impasto techniques and learn how to build form with visible brushstrokes. It also provides practice in color mixing to achieve realistic skin tones and clothing colors.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, hat, and background.

  2. step 02

    Block in the main areas of color with thin washes, establishing the overall value structure.

  3. step 03

    Begin applying thicker paint with visible brushstrokes, following the direction of the forms.

  4. step 04

    Focus on building up the skin tones with layers of different shades of brown, pink, and white.

  5. step 05

    Define the details of the hat and clothing with contrasting colors and sharper edges.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the background with short, directional brushstrokes.

  8. step 08

    Add final details and adjust colors as needed.

color palette

primary · yellow ochre · ultramarine blue · titanium white · burnt umber

secondary · cadmium red · ivory black

Mix various shades of skin tones by combining yellow ochre, burnt umber, cadmium red, and white. Achieve the blue clothing color by mixing ultramarine blue with white and a touch of black for shadows.

techniques

  • ·impasto
  • ·broken color
  • ·directional brushstrokes
  • ·color mixing
  • ·layering

common pitfalls

  • →Over-blending the colors, resulting in a muddy appearance.
  • →Ignoring the direction of the brushstrokes, which can flatten the forms.
  • →Failing to establish a strong value structure early on.
  • →Getting lost in the details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (yellow ochre, ultramarine blue, titanium white, burnt umber, cadmium red, ivory black)
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine or mineral spirits

optional

  • ·painting medium
  • ·varnish

Use high-quality oil paints for best results. Consider using a medium to improve the flow and drying time of the paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Ponte San Trovaso

Ponte San Trovaso

Henri-Edmond Cross

Sunday

Sunday

Paul Signac

Couple in the street

Couple in the street

Charles Angrand

Margery

Margery

Theo van Rysselberghe

Still Life with Pitcher and Vase of Flowers

Still Life with Pitcher and Vase of Flowers

Hippolyte Petitjean

The Two Sisters

The Two Sisters

Georges Lemmen

Les Petits, Montagnes Mauresques

Les Petits, Montagnes Mauresques

Henri-Edmond Cross

17. Still Life with Yellow Straw Hat 2017 by Anthony D. Padgett (after Van Gogh Nuenen 1885)

17. Still Life with Yellow Straw Hat 2017 by Anthony D. Padgett (after Van Gogh Nuenen 1885)

Anthony Padgett