apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·112. Atagoshita and Yabu Lane
112. Atagoshita and Yabu Lane by Hiroshige

plate no. 7165

112. Atagoshita and Yabu Lane

Hiroshige, 1857

woodblock printUkiyo-ecityscapesnowbuildingsfigurestreesrivercityscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and perspective, as well as practicing precise line work for architectural details and natural forms.

technical profile

palette complexity
3
brushwork visibility
1
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, including the buildings, trees, river, and figures.

  2. step 02

    Block in the sky with a light blue wash, blending to a pinkish hue near the horizon.

  3. step 03

    Establish the base colors for the buildings and river, using muted tones.

  4. step 04

    Add the snow details on the roofs, branches, and ground with white or light gray.

  5. step 05

    Paint the figures with simple shapes and colors, paying attention to their positions and clothing.

  6. step 06

    Define the trees and foliage with darker greens and browns, adding snow highlights.

  7. step 07

    Refine the details of the buildings, including the lines of the walls and windows.

  8. step 08

    Add final touches, such as the birds in the sky and the reflections in the river.

color palette

primary · light blue · white · brown · dark blue

secondary · pink · green · gray · red

Mix light blues by adding white to a deeper blue. Achieve muted tones by mixing complementary colors. Create the pinkish sky by blending red and white into the blue.

techniques

  • ·layering
  • ·linear perspective
  • ·color blending
  • ·negative space
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the simplicity of the original.
  • →Creating colors that are too bright or saturated.
  • →Failing to establish a clear sense of depth and perspective.
  • →Inaccurate proportions of the buildings and figures.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paints or gouache
  • ·Round brushes (various sizes)
  • ·Watercolor paper
  • ·Pencil
  • ·Eraser
  • ·Palette
  • ·Water container
  • ·Paper towels

optional

  • ·ruler
  • ·masking fluid
  • ·palette knife

Using high-quality watercolor paper will help prevent buckling and allow for better blending. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

14. Temple Gardens in Nippori

14. Temple Gardens in Nippori

Hiroshige

8. Suruga Chō

8. Suruga Chō

Hiroshige

Travels Looking at Mt. Fuji

Travels Looking at Mt. Fuji

Kitagawa Utamaro

The Letter

The Letter

Utagawa Kunisada

Jeu Princier. Mongol

Jeu Princier. Mongol

Paul Jacoulet

Looking as if she is enjoying herself - a teacher of the Keisei era

Looking as if she is enjoying herself - a teacher of the Keisei era

Tsukioka Yoshitoshi

Ariwara no Yukihira

Ariwara no Yukihira

Tsukioka Yoshitoshi

The Ghost

The Ghost

Utagawa Kunisada