apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Zelfportret met schedel
Zelfportret met schedel by Carel Willink

plate no. 6286

Zelfportret met schedel

Carel Willink, 1936

oilMagic Realismself-portraitportraitskullfigureshirttiehands
experienced study

Recreating this painting will help students develop skills in realistic portraiture, including accurate proportions, subtle value gradations, and rendering of textures like skin and fabric. It also provides practice in depicting complex forms like the human skull.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a detailed line drawing of the composition, paying close attention to proportions and anatomical accuracy.

  2. step 02

    Establish the overall value structure with a thin underpainting using a neutral color like burnt umber.

  3. step 03

    Begin layering in the skin tones, starting with the mid-tones and gradually building up the highlights and shadows.

  4. step 04

    Carefully render the details of the face, including the eyes, nose, and mouth, paying attention to subtle variations in color and value.

  5. step 05

    Paint the shirt and tie, focusing on the folds and wrinkles of the fabric and the subtle variations in color.

  6. step 06

    Render the skull, paying attention to the complex shapes and textures of the bone.

  7. step 07

    Refine the details of the hands, capturing the subtle variations in color and value.

  8. step 08

    Adjust the overall composition and add any final touches.

color palette

primary · titanium white · ivory black · yellow ochre · burnt umber

secondary · cadmium red · ultramarine blue

Skin tones are achieved through subtle mixtures of white, yellow ochre, burnt umber, and small amounts of red and blue. The shirt is primarily white with subtle gray shadows created by mixing white and black.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·value studies
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions wrong in the initial drawing.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to capture the subtle variations in color and value.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·mahl stick

Use high-quality oil paints for best results. A smooth canvas surface is recommended for achieving the subtle blending in this painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Birth of the Earth

Birth of the Earth

Nina Tokhtaman Valetova

Soundscape

Soundscape

Abdul Mati Klarwein

Le poisson choa

Le poisson choa

Nicolae Maniu

Hidden Pasture

Hidden Pasture

Eyvind Earle

Pacific

Pacific

Alex Colville

Poet With Flower

Poet With Flower

Stefan Caltia

Canzone

Canzone

Antonio Donghi

Sphinx

Sphinx

Nicolae Maniu